I write posts and essays covering contemporary culture, art history, exhibition reviews, film & animation, graphic design, advice for artists and philosophical musings. To see all posts I’ve published here, please visit the Archive. For articles on painting background, theory and techniques, please visit my other blog. Enjoy!
After several weeks of writing essay-like posts in which I devour and analyse new and old favourite artists, books, exhibitions etc., I decided to take a little break and write about my current project. I don’t usually share my work-in-progress, nor do I document it step-by-step. For one thing, I get completely immersed in any new artistic venture, so that…
Until very recently, I had been making a conscious effort to separate writing, one of my favourite and most natural ways of expressions, from other areas of my artistic practice. I somehow felt that it was interfering with visual art, my official career path, and that it didn’t have a place in it, besides the “hobby” drawer. But I have…
Some time ago, my partner Colin asked me why I hadn’t yet written a post about Francis Bacon. Not only is he my favourite painter, but I know quite a lot about him thanks to spending a year and half of my Masters degree studying his life and work, and devoting my MA project to him. I said to Colin that…
A few days ago I watched a film which affected me in a way only a handful of films did (recent ones include Lars von Trier’s Melancholia, Lukas Moodysson’s Lilja 4-ever or Jan Komasa’s Suicide Room). From Inside is an animated movie created by John Bergin (credited as writer, producer, director, and animator), based on his graphic novel about a young…
As the New Year approaches, like many people, I have an urge to go through old boxes of non-descript “stuff” and transfer their contents to rubbish/ recycling bags; tick off all the remaining tasks on my to-do list, sort out whatever there is to be sorted, and make plans for the next year. End-of-year clearing immediately makes me think of…
So first, your memory I’ll jog, And say: A CAT IS NOT A DOG. — T. S. Eliot As I’m currently preparing a new series of cat drawings for the Kittytees, and had the pleasure of meeting Alice, my good friends’ cat last Saturday, I thought that I could dedicate this post to cats. Cats and artists – what a cliché,…
I am currently preparing for a joint exhibition with Oxford-based painter Andris Wood at the Gasoline Rooms gallery in March 2014. The body of work I am preparing moves me away from previous painting ventures into a more experimental territory where fine arts meets the graphic novel. This is exciting and terrifying at the same time, and the experience of…
Last Sunday, I had the pleasure of visiting the National Gallery to see the Facing the Modern: The Portrait in Vienna 1900 exhibition. I was also very surprised to read devastating reviews of the exhibition on both the Guardian and the Evening Standard websites and a slightly more favourable, yet still very critical, review on the Telegraph website. All three reviewers…
When I was a Central Saint Martins student, my absolutely favourite part of any performance design project was creating a storyboard. I still vividly remember the very first project we had, where we had to create a visual concept for a theatrical piece in response to Johnny Cash’s song, The Man Comes Around. I remember sitting on my bed with…
I have recently finished working on an animated trailer for my Milla in the Misty Woods book, which, though only 1.22min long, turned out to be a vast amount of work. And that’s despite the fact that I’ve been working with a digital form of animation which means I didn’t have to hand-draw 12 drawings (as you do with traditional…
Painting sex in the East Yesterday I went to the Shunga: Sex and Pleasure in Japanese Art exhibition at the British Museum. Translated literally, the word shunga means spring pictures (apparently “spring” is a euphemism for sex) and refers to erotic colour prints, painted hand-scrolls and printed books made between 1600 and 1900 in Japan. Despite a few periods of…
I recently read that Rufus Norris has been confirmed as Sir Nicholas Hytner’s successor as director of the National Theatre. In an interview for the Guardian in October 2012 he said: I was 36 before I earned £10,000 in a year. People go, “Oh, you’ve got a lovely career, you must be rich,” but I still rent, and I don’t…